Collection: Rings

A square, polished front face surrounded by a rocky, thick band This ring is made to order and individually finished to ensure a precise fit and a subtly unique surface texture. The silver is stamped .925 in-house to confirm sterling silver purity.

A circular, polished front face surrounded by a rocky, thick band. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten silver, which naturally forms settings around the gemstones as it cools.

A rugged, round signet with a princess cut orange sapphire in the front, set in place through sandcasting. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten silver, which naturally forms settings around the gemstones as it cools.

A rough, square signet ring with two princess cut orange sapphires set into the front face through sandcasting. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten silver, which naturally forms settings around the gemstones as it cools.

A rugged, silver band with two rough, turquoise sapphires set into it through sandcasting. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten silver, which naturally forms settings around the gemstones as it cools.

A rough, rectangular signet set with a clear, princess cut sapphire and ruby. The sandcasting method leaves a grainy surface texture that makes the ring appear to be forged from the earth. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten 9ct gold, which naturally forms settings around the gemstones as it cools.

A rough, square signet ring with two lab grown, princess cut rubies set outside through sand casting. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten silver, which naturally forms settings around the gemstones as it cools.

A small, sterling silver square split into 4 smaller squares. 2 set with clear spinels, 2 in silver. Each piece of jewellery is meticulously handcrafted. No two pieces are identical; your piece is unique to you. All SAINT DAVIS jewellery is hand-carved from wax before being cast in solid silver or gold. It is then polished by hand and hallmarked before being sent to you.

A small, sterling silver square split into 4 smaller squares. 2 set with black spinels, 2 in silver. Each piece of jewellery is meticulously handcrafted. No two pieces are identical; your piece is unique to you. All SAINT DAVIS jewellery is hand-carved from wax before being cast in solid silver or gold. It is then polished by hand and hallmarked before being sent to you.

A small, sterling silver square split into 4 smaller squares. 2 set with amethysts, 2 in silver. Each piece of jewellery is meticulously handcrafted. No two pieces are identical; your piece is unique to you. All SAINT DAVIS jewellery is hand-carved from wax before being cast in solid silver or gold. It is then polished by hand and hallmarked before being sent to you.

A small, sterling silver square split into 4 smaller squares. 2 set with amethysts, 2 in silver. Each piece of jewellery is meticulously handcrafted. No two pieces are identical; your piece is unique to you. All SAINT DAVIS jewellery is hand-carved from wax before being cast in solid silver or gold. It is then polished by hand and hallmarked before being sent to you.

A blimp! Flying past Tony Montana's window, taken from a scene in Scarface and warped into a silver shape. This ring is designed the Ozanne's Brighton studio and cast in recycled sterling silver in Birmingham.

A piece of English heritage. Also, it doubles as a Lancashire rose if you flip it upside down. This ring is designed the Ozanne's Brighton studio and cast in recycled sterling silver in Birmingham.

A big chunky disk, crafted from sterling silver and copper.  This piece is handmade by Reeve in Brighton. All of the materials used in Reeve's work are natural, valuing their raw origins and beauty. Every gemstone is ethically sourced, and metals are recycled.

A happy silver face, melting away and dripping down each side. This piece is handmade from 100% recycled sterling silver, by Iona in their London studio.

A  gang of melted silver faces, all merged into eachother. This piece is handmade from 100% recycled sterling silver, by Iona in their London studio.

iHBs signature trippi logo presented onto a silver face. Mirrored features contrasting against a matte background. This piece is handmade from 100% recycled sterling silver, by Iona in their London studio.

iHBs signature trippi logo presented onto a gold plated face. Mirrored features contrasting against a matte, silver background. This piece is handmade from 100% recycled sterling silver and 24ct gold vermeil, by Iona in their London studio.

This slim, silver rectangle is pierced through the edge with a 9ct gold hoop, loose and able to spin at its own free will. Handmade using 100% recycled 925 sterling silver and 9ct gold. 

This ring features a Four Pence signature organic band, with five light blue sapphires set in stars around the outside. This ring is an Ozanne's exclusive, with colours to represent Brighton's blue seas and sky. Handmade using 100% recycled 925 sterling silver. 

This ring features a Four Pence signature organic band, with five emeralds set in stars around the outside. Handmade using 100% recycled 925 sterling silver. 

A surface shaped by hand retains the story of its making - each facet a testament to touch, rhythm and intention. This ring is born from that philosophy: it that carries texture like memory, catching light and shadow with every movement. The poetry of process made tangible. Designed with architectural attention and realised through expert hand‑craftsmanship, Hammered Band begins as a digital form and becomes a tactile reality through 3D printing, casting and painstaking hand finishing. Each surface of the band is hammered by hand, creating an irregular, tactile texture that scatters light and deepens shadow - a sculptural finish that feels both organic and deliberate. This nuanced surface brings quiet character to a classic silhouette.

Some forms whisper of ritual and presence - shapes that hold gravity, texture and quiet intention. This ring is born from that spirit: a sculptural double-skull ring cast in recycled sterling silver with a dimpled face (platter) that seems to carry shadow and echo in equal measure. Designed and realised with the same meticulous approach that defines Sketchy Bones Collective, this ring begins as an architectural concept refined through CAD modelling and 3D printing. Cast in recycled sterling silver, each surface is finished by hand - polished, textured and nuanced to reveal depth, contrast and tactile richness.

Some forms are memories made physical - echoes of connection, absence and presence forged into shape. This ring captures that quiet tension: two faces meeting in a silent embrace, cast in silver with intent and depth. This is jewellery that feels like thought held in stillness - a testament to what lingers between moments. Each ring is handmade in recycled sterling silver using a blend of architectural design and human touch. The kissing motif is realised through CAD modelling, 3D printing and expert casting before being hammered and finished by hand. This process gives each piece a naturally organic surface, with subtle character unique to every ring. The result is sculpture for the finger: tactile, expressive and rich in presence.