Collection: Products

A rough, rectangular signet set with a clear, princess cut sapphire and ruby. The sandcasting method leaves a grainy surface texture that makes the ring appear to be forged from the earth. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten 9ct gold, which naturally forms settings around the gemstones as it cools.

A rough, circular signet set with a circular yellow and orange sapphire. The sandcasting method leaves a grainy surface texture that makes the ring appear to be forged from the earth. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten 9ct gold, which naturally forms settings around the gemstones as it cools.

Five twinky blue topaz stones set in the petals of a twirly, gold vermeil flower. This piece is handmade in sterling silver by Daisy, in her studio in north London.

A big twirly flower with ocean blue tanzanite petals :) This piece is handmade in sterling silver by Daisy, in her studio in north London.

Twirly silver vines wrapping around a vibrant array of green maruise and blue sapphires, a green emerald and a light blue topaz. This piece is handmade in sterling silver by Daisy, in her studio in north London.

A chunky, fluid silver form flowing around two smooth but irregular, lab grown sapphires. This piece is handcrafted from recycled sterling silver in the ATR studio in East London.

A puffy, pillowy ring with one lab grown ruby and one green cubic zirconia sleeping peacefully inside it. This piece is hand-carved and cast in 100% recycled sterling silver in Meg's Edinburgh studio.

The ring features a soft, melting shape, holding a set green sapphire and peridot stone in its corner. The Alan ring is handmade from solid recycled sterling silver in Mia's East London Studio.

A smooth, lab grown green sapphire with a smooth, lumpy trail of silver engulfing it. This piece is handcrafted from recycled sterling silver in the ATR studio in East London.

A large display of a bubbly, silver texture thinning out to an open band at the back, with green tourmalines and tsavorites sunken inside its craters. This ring is designed and handmade in sterling silver by Lili, in her studio in London.

A rough, square signet ring with two green, princess cut sapphires set outside through sand casting. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten silver, which naturally forms settings around the gemstones as it cools.

A big silver canvas, with a variety of cubic zirconias scattered all over in an array of star settings. A beautiful, astronomical statement. This piece is hand-carved and cast in 100% recycled sterling silver in Meg's Edinburgh studio.

Texture texture texture. A silver band with a thin sheet of gauze fired onto its surface, blending with borax to make a burnt, colourful, gore-ish work of art. This piece is handmade by Reeve in Brighton. All of the materials used in Reeve's work are natural, valuing their raw origins and beauty. Every gemstone is ethically sourced, and metals are recycled.

A weighty, organic rectangle featuring a rough, raw finish with Volpi's signature hallmarks heavily stamped into it.  This pendant lies on a 3.5mm curb chain. Each item is designed and handmade with 100% recycled precious metals. This jewellery will not only last a lifetime physically, it will withstand time due to its simple design.

A surface shaped by hand retains the story of its making - each facet a testament to touch, rhythm and intention. This ring is born from that philosophy: it that carries texture like memory, catching light and shadow with every movement. The poetry of process made tangible. Designed with architectural attention and realised through expert hand‑craftsmanship, Hammered Band begins as a digital form and becomes a tactile reality through 3D printing, casting and painstaking hand finishing. Each surface of the band is hammered by hand, creating an irregular, tactile texture that scatters light and deepens shadow - a sculptural finish that feels both organic and deliberate. This nuanced surface brings quiet character to a classic silhouette.

Forged from silver and brass, a grand shield to lay upon your finger. This piece is handmade by Reeve in Brighton. All of the materials used in Reeve's work are natural, valuing their raw origins and beauty. Every gemstone is ethically sourced, and metals are recycled.

A silver heart with a solid gold arrow piercing through it. The arrow isn't fixed, so can spin at Cupids own free will. This pendant lies on a 1.7mm oval trace chain. Handmade using 100% recycled 925 sterling silver and 9ct gold. This pendant comes with a sterling silver chain (pictured). 

A chunky 925 sterling silver chain and heart pendant with a round pink cubic zirconia and a lab opal stone.

Just a little person with a big heart. All the world really needs. Handcrafted from recycled solid sterling silver. Through the hand-finishing process, each piece carries its own distinctive character, ensuring no two are exactly alike.

Named after Led Zeppelin's bluesy rock song which was released in 1969, tells the story of a careless lover 'Annie' who hasn't much consideration for men's hearts.  This necklace is handmade from sterling silver at Ella's studio in London.  

Two timeless lovers, forever together yet forever apart. A skull sculpted with a fractured heart, a form where vulnerability and defiance sit side by side. Heartbreaker starts as a refined digital design, shaped with architectural precision before being realised through 3D printing and casting in recycled sterling silver. Each ring is finished by hand and oxidised to accentuate contours, shadows and the fractured motif.

A bold but flush, organic signet ring with a flower hiding inbetween two walls. This ring is handmade in recycled sterling silver by George at his workbench in Stoke on Trent.   

A ring showing the unpredictability, and beauty, of sandcasting. The same method as the ruby drop ring, but with a layer of silver covering over the top half, making the ruby seem a lil bit shy. Made by a traditional sand casting method, where the main design is carved from wax and then imprinted into a sand mould. This space is then cast into with molten silver, which naturally forms settings around the gemstones as it cools.

A cosy little house, popped on a thick patch of silver. This ring is handmade from recycled sterling silver by Rosie in London.